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Cummings, E. E. (Edward Estlin), 1894-1962

"The Enormous Room"

His
little, abrupt, conscientious, relentless, difficult self lived always in
a single dimension--the somewhat beautiful dimension of Sorrow. He was a
Belgian, and one of two Belgians in whom I have ever felt the least or
slightest interest; for the Machine-Fixer might have been a Polak or an
Idol or an Esquimo so far as his nationality affected his soul. By and
large, that was the trouble--the Machine-Fixer had a soul. Put the
bracelets on an ordinary man, tell him he's a bad egg, treat him rough,
shove him into the jug or its equivalent (you see I have regard always
for M. le Surveillant's delicate but no doubt necessary distinction
between La Ferte and Prison), and he will become one of three animals--a
rabbit, that is to say timid; a mole, that is to say stupid; or a hyena,
that is to say Harree the Hollander. But if, by some fatal, some
incomparably fatal accident, this man has a soul--ah, then we have and
truly have most horribly what is called in La Ferte Mace by those who
have known it: _La Misere_. Monsieur Auguste's valiant attempts at
cheerfulness and the natural buoyancy of his gentle disposition in a
slight degree protected him from _La Misere_. The Machine-Fixer was lost.
By nature he was tremendously sensible, he was the very apotheosis of
_l'ame sensible_ in fact.


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