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Cummings, E. E. (Edward Estlin), 1894-1962

"The Enormous Room"


Second, a palish, foppish, undersized, prominent-nosed creature who
affected a deep musical voice and the cut of whose belted raincoat gave
away his profession--he was a pimp, and proud of it, and immediately upon
his arrival boasted thereof, and manifested altogether as disagreeable a
species of bullying vanity as I ever (save in the case of The Fighting
Sheeney) encountered. He got his from Jean le Negre, as the reader will
learn later.
Third, a super-Western-Union-Messenger type of ancient-youth,
extraordinarily unhandsome if not positively ugly. He had a weak pimply
grey face, was clad in a brownish uniform, puttees (on pipestem calves),
and a regular Messenger Boy cap. Upon securing a place he instantly went
to the card-table, seated himself hurriedly, pulled out a batch of
blanks, and wrote a telegram to (I suppose) himself. Then he returned to
his _paillasse_, lay down with apparently supreme contentment, and fell
asleep.
Fourth, a tiny old man who looked like a caricature of an East Side
second-hand clothes dealer--having a long beard, a long, worn and dirty
coat reaching just to his ankles, and a small derby hat on his head. The
very first night his immediate neighbour complained that "Le Chapeau" (as
he was christened by The Zulu) was guilty of fleas.


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