From which experiments and comparisons,
your conclusion, I think, will be, and I am sure it ought to be, that
the most studious ingenuity could not produce a design for the interior
of a building which should more completely hide its extent, and throw
away every common advantage of its magnitude, than this of the Duomo of
Florence.
Having arrived at this, I assure you, quite securely tenable
conclusion, we will quit the cathedral by the western door, for once,
and as quickly as we can walk, return to the Green cloister of Sta.
Maria Novella; and place ourselves on the south side of it, so as to
see as much as we can of the entrance, on the opposite side, to the
so-called 'Spanish Chapel.'
There is, indeed, within the opposite cloister, an arch of entrance,
plain enough. But no chapel, whatever, externally manifesting itself as
worth entering. No walls, or gable, or dome, raised above the rest of
the outbuildings--only two windows with traceries opening into the
cloister; and one story of inconspicuous building above. You can't
conceive there should be any effect of _magnitude_ produced in the
interior, however it has been vaulted or decorated. It may be pretty,
but it cannot possibly look large.
Entering it, nevertheless, you will be surprised at the effect of
height, and disposed to fancy that the circular window cannot surely be
the same you saw outside, looking so low, I had to go out again,
myself, to make sure that it was.
Pages:
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96