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Ruskin, John, 1819-1900

"Mornings in Florence"


You will at first think her figure ungainly and stiff. It is so,
partly, the dress being more coarsely repainted than in any other of
the series. But she is meant to be both stout and strong. What she has
to say is indeed to persuade you, if possible; but assuredly to
overpower you. And _she_ has not the Florentine girdle, for she
does not want to move. She has her girdle broad at the waist--of all
the sciences, you would at first have thought, the one that most needed
breath! No, says Simon Memmi. You want breath to run, or dance, or
fight with. But to speak!--If you know _how_, you can do your work
with few words; very little of this pure Florentine air will be enough,
if you shape it rightly.
Note, also, that calm setting of her hand against her side. You think
Rhetoric should be glowing, fervid, impetuous? No, says Simon Memmi.
Above all things,--_cool_.
And now let us read what is written on her scroll:--Mulceo, dum loquor,
varios induta colores.
Her chief function, to melt; make soft, thaw the hearts of men with
kind fire; to overpower with peace; and bring rest, with rainbow
colours. The chief mission of all words that they should be of comfort.
You think the function of words is to excite? Why, a red rag will do
that, or a blast through a brass pipe. But to give calm and gentle
heat; to be as the south wind, and the iridescent rain, to all
bitterness of frost; and bring at once strength, and healing.


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