It was a low vault, with squat arches, on exactly the same plan as the
choir. The thick, stunted columns, left in the rough, also awaited their
sculptors. Materials were lying about, pieces of wood were rotting on the
beaten ground, the whole vast hall was white with plaster in the
abandonment in which unfinished buildings are left. At the far end, three
bays, formerly glazed, but in which not a pane of glass remained, threw a
clear, cold light upon the desolate bareness of the walls.
And there, in the middle, lay Cure Peyramale's corpse. Some pious friends
had conceived the touching idea of thus burying him in the crypt of his
unfinished church. The tomb stood on a broad step and was all marble. The
inscriptions, in letters of gold, expressed the feelings of the
subscribers, the cry of truth and reparation that came from the monument
itself. You read on the face: "This tomb has been erected by the aid of
pious offerings from the entire universe to the blessed memory of the
great servant of Our Lady of Lourdes." On the right side were these words
from a Brief of Pope Pius IX.: "You have entirely devoted yourself to
erecting a temple to the Mother of God." And on the left were these words
from the New Testament: "Happy are they who suffer persecution for
justice' sake." Did not these inscriptions embody the true plaint, the
legitimate hope of the vanquished man who had fought so long in the sole
desire of strictly executing the commands of the Virgin as transmitted to
him by Bernadette? She, Our Lady of Lourdes, was there personified by a
slender statuette, standing above the commemorative inscription, against
the naked wall whose only decorations were a few bead wreaths hanging
from nails.
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