With its counters, show-cases,
and nests of drawers, furnishing it from top to bottom, the spacious shop
was a sea of endless billows, overflowing with all the religious
knick-knacks imaginable. There were the chaplets: skeins of chaplets
hanging along the walls, and heaps of chaplets lying in the drawers, from
humble ones costing twenty sons a dozen, to those of sweet-scented wood,
agate, and lapis-lazuli, with chains of gold or silver; and some of them,
of immense length, made to go twice round the neck or waist, had carved
beads, as large as walnuts, separated by death's-heads. Then there were
the medals: a shower of medals, boxes full of medals, of all sizes, of
all metals, the cheapest and the most precious. They bore different
inscriptions, they represented the Basilica, the Grotto, or the
Immaculate Conception; they were engraved, /repoussees/, or enamelled,
executed with care, or made by the gross, according to the price. And
next there were the Blessed Virgins, great and small, in zinc, wood,
ivory, and especially plaster; some entirely white, others tinted in
bright colours, in accordance with the description given by Bernadette;
the amiable and smiling face, the extremely long veil, the blue sash, and
the golden roses on the feet, there being, however, some slight
modification in each model so as to guarantee the copyright. And there
was another flood of other religious objects: a hundred varieties of
scapularies, a thousand different sorts of sacred pictures: fine
engravings, large chromo-lithographs in glaring colours, submerged
beneath a mass of smaller pictures, which were coloured, gilded,
varnished, decorated with bouquets of flowers, and bordered with lace
paper.
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