It can be heard in the home as well
as in the heavens; discerned by the ears of common men as well as
by the trained senses of the ascetic. Moreover, the body of
every man is a lyre on which Brahma, "the source of all music,"
plays. Everywhere Kab?r discerns the "Unstruck Music of the
Infinite"--that celestial melody which the angel played to St.
Francis, that ghostly symphony which filled the soul of Rolle
with ecstatic joy. [Footnote: Nos. XVII, XVIII, XXXIX, XLI, LIV,
LXXVI, LXXXIII, LXXXIX, XCVII.] The one figure which he adopts
from the Hindu Pantheon and constantly uses, is that of Krishna
the Divine Flute Player. [Footnote: Nos. L, LIII, LXVIII.] He
sees the supernal music, too, in its visual embodiment, as
rhythmical movement: that mysterious dance of the universe before
the face of Brahma, which is at once an act of worship and an
expression of the infinite rapture of the Immanent God.'
Yet in this wide and rapturous vision of the universe Kab?r
never loses touch with diurnal existence, never forgets the
common life.
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