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The epilogue on the occasion was from the pen of Mr. Becher; and for
the purpose of affording to Lord Byron, who was to speak it, an
opportunity of displaying his powers of mimicry, consisted of
good-humoured portraits of all the persons concerned in the
representation. Some intimation of this design having got among the
actors, an alarm was felt instantly at the ridicule thus in store for
them; and to quiet their apprehensions, the author was obliged to
assure them that if, after having heard his epilogue at rehearsal,
they did not, of themselves, pronounce it harmless, and even request
that it should be preserved, he would most willingly withdraw it. In
the mean time, it was concerted between this gentleman and Lord Byron
that the latter should, on the morning of rehearsal, deliver the
verses in a tone as innocent and as free from all point as
possible,--reserving his mimicry, in which the whole sting of the
pleasantry lay, for the evening of representation. The desired effect
was produced;--all the personages of the green-room were satisfied,
and even wondered how a suspicion of waggery could have attached
itself to so well-bred a production. Their wonder, however, was of a
different nature a night or two after, when, on hearing the audience
convulsed with laughter at this same composition, they discovered, at
last, the trick which the unsuspected mimic had played on them, and
had no other resource than that of joining in the laugh which his
playful imitation of the whole dramatis personae excited.
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