And she could simultaneously
see another handsome young man winding it up--her son.
Her pictures were admired.
"Your son painted this water-colour, did he not, Mrs. Maldon?"
"Yes, my son Athelstan."
"How gifted he must have been!"
"Yes, the best judges say he showed very remarkable promise. It's
fading, I fear. I ought to cover it up, but somehow I can't fancy
covering it up--"
The hand that had so remarkably promised had lain mouldering for a
quarter of a century. Mrs. Maldon sometimes saw it, fleshless, on a
cage-like skeleton in the dark grave. The next moment she would see
herself tending its chilblains.
And if she was not peculiar, neither was she waning. No!
Seventy-two--but not truly old! How could she be truly old when she
could see, hear, walk a mile without stopping, eat anything whatever,
and dress herself unaided? And that hair of hers! Often she was still
a young wife, or a young widow. She was not preparing for death; she
had prepared for death in the seventies. She expected to live on
in calm satisfaction through indefinite decades. She savoured life
pleasantly, for its daily security was impregnable. She had forgotten
grief.
When she looked up at Rachel and benevolently nodded to her, she saw
a girl of line character, absolutely trustworthy, very devoted, very
industrious, very capable, intelligent, cheerful--in fact, a splendid
girl, a girl to be enthusiastic about! But such a mere girl! A girl
with so much to learn! So pathetically young and inexperienced
and positive and sure of herself! The looseness of her limbs, the
unconscious abrupt freedom of her gestures, the waviness of her auburn
hair, the candour of her glance, the warmth of her indignation against
injustice and dishonesty, the capricious and sensitive flowings of
blood to her smooth cheeks, the ridiculous wise compressings of
her lips, the rise and fall of her rich and innocent bosom--these
phenomena touched Mrs.
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