The contrast between the scene which Thomas Batchgrew now saw and
the scene which had met Rachel in the night was so violent as to seem
nearly incredible. Not a sign of the catastrophe remained, except in
Mrs. Maldon's face, and in some invalid gear on the dressing-table,
for Rachel had gradually got the room into order. She had even closed
and locked the wardrobe.
On answering Mrs. Maldon's summons in the night, Rachel had found the
central door of the wardrobe swinging and the sacred big drawer at the
bottom of that division only half shut, and Mrs. Maldon in a peignoir
lying near it on the floor, making queer inhuman noises, not moans,
but a kind of anxious, inarticulate entreaty, and shaking her head
constantly to the left--never to the right. Mrs. Maldon had recognized
Rachel, and had seemed to implore with agonized intensity her
powerful assistance in some nameless and hopeless tragic dilemma. The
sight--especially of the destruction of the old woman's dignity--was
dreadful to such an extent that Rachel did not realize its effect on
herself until several hours afterwards. At the moment she called on
the immense reserves of her self-confidence to meet the situation--and
she met it, assisting her pride with the curious pretence,
characteristic of the Five Towns race, that the emergency was
insufficient to alarm in the slightest degree a person of sagacity and
sang-froid.
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