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?© de, 1799-1850

"Massimilla Doni"

Never did music more truly merit
the epithet divine. The consoling notes, as they were poured out,
enveloped their souls in soft and soothing airs. On these vapors,
almost visible, as it seemed to the listeners, like the marble shapes
about them in the silver moonlight, angels sat whose wings, devoutly
waving, expressed adoration and love. The simple, artless melody
penetrated to the soul as with a beam of light. It was a holy passion!
But the singer's vanity roused them from their emotion with a terrible
shock.
"Now, am I a bad singer?" he exclaimed, as he ended.
His audience only regretted that the instrument was not a thing of
Heaven. This angelic song was then no more than the outcome of a man's
offended vanity! The singer felt nothing, thought nothing, of the
pious sentiments and divine images he could create in others,--no
more, in fact, than Paganini's violin knows what the player makes it
utter. What they had seen in fancy was Venice lifting its shroud and
singing--and it was merely the result of a tenor's _fiasco_!
"Can you guess the meaning of such a phenomenon?" the Frenchman asked
of Capraja, wishing to make him talk, as the Duchess had spoken of him
as a profound thinker.


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