He
has carved a figure of Woman, no bigger than the finger, and entirely
soul, free from all baseness of form, and yet complete. All Woman,
indeed, in her essential symbolism! Ah! it's grand, it's overpowering. A
perfect scheme of aesthetics, a real religion!"
Francois smiled as he looked at Hyacinthe, buttoned up in his long
pleated frock-coat, with his made-up face, and carefully cropped hair and
beard. "And yourself?" said he, "I thought you were working, and were
going to publish a little poem, shortly?"
"Oh! the task of creating is so distasteful to me, my dear fellow! A
single line often takes me weeks. . . . Still, yes, I have a little poem
on hand, 'The End of Woman.' And you see, I'm not so exclusive as some
people pretend, since I admire Jonas, who still believes in Woman. His
excuse is sculpture, which, after all, is at best such a gross
materialistic art. But in poetry, good heavens, how we've been
overwhelmed with Woman, always Woman! It's surely time to drive her out
of the temple, and cleanse it a little. Ah! if we were all pure and lofty
enough to do without Woman, and renounce all those horrid sexual
questions, so that the last of the species might die childless, eh? The
world would then at least finish in a clean and proper manner!"
Thereupon, Hyacinthe walked off with his languid air, well pleased with
the effect which he had produced on the others.
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