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?‰mile, 1840-1902

"The Three Cities Trilogy: Paris, Volume 2"

He spent days of hard work in copying and studying them,
in order to learn strictness and probity of drawing from them--all that
lofty distinction of style which they owe to their candour as honest
artists.
Pierre was struck by the pure glow which a sitting of good hard work had
set in Antoine's light blue eyes. It imparted warmth and even
feverishness to his fair face, which was usually all dreaminess and
gentleness. His lofty forehead now truly looked like a citadel armed for
the conquest of truth and beauty. He was only eighteen, and his story was
simply this: as he had grown disgusted with classical studies and been
mastered by a passion for drawing, his father had let him leave the Lycee
Condorcet when he was in the third class there. Some little time had then
elapsed while he felt his way and the deep originality within him was
being evolved. He had tried etching on copper, but had soon come to wood
engraving, and had attached himself to it in spite of the discredit into
which it had fallen, lowered as it had been to the level of a mere trade.
Was there not here an entire art to restore and enlarge? For his own part
he dreamt of engraving his own drawings, of being at once the brain which
conceives and the hand which executes, in such wise as to obtain new
effects of great intensity both as regards perception and touch.


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