It was there I
grew up. I began as a workman, and all my childhood was spent among the
masses, in the streets, without ever a thought coming to me of setting
foot in a church. So few Parisians think of doing so nowadays. And so
what's to become of art since there's no belief in the Divinity or even
in beauty? We're forced to go forward to the new faith, which is the
faith in life and work and fruitfulness, in all that labours and
produces."
Then suddenly breaking off he exclaimed: "By the way, I've been doing
some more work to my figure of Fecundity, and I'm fairly well pleased
with it. Just come with me and I'll show it you."
Thereupon he insisted on taking them to his private studio, which was
near by, just below Guillaume's little house. It was entered by way of
the Rue du Calvaire, a street which is simply a succession of ladder-like
flights of steps. The door opened on to one of the little landings, and
one found oneself in a spacious, well-lighted apartment littered with
models and casts, fragments and figures, quite an overflow of sturdy,
powerful talent. On a stool was the unfinished model of Fecundity swathed
in wet cloths. These Jahan removed, and then she stood forth with her
rounded figure, her broad hips and her wifely, maternal bosom, full of
the milk which nourishes and redeems.
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