We believe, like the
immortal Jack Falstaff, they were each born at four o'clock of the
morning, with a bald head, and something of a round belly; certain it is,
they are universally thin in the hair, and exhibit strong manifestation of
obesity.
The further marks of identity consist in a ring very variously chased, and
the infallible insignia of a tuning-fork: without this no professional
singer does or can exist. The thing has been tried, and found a failure.
Its uses are remarkable and various: like the "death's-head and
cross-bones" of the pirates, or the wand, globe, and beard of the
conjuror, it is their sure and unvarying sign. We have in our mind's eye
one of the species even now--we see him coquetting with the fork,
compressing it with gentle fondness, and then (that all senses may be
called into requisition) resting it against his eye-tooth to catch the
proper tone. Should this be the prelude to his own professional
performance, we see it returned, with a look of profound wisdom, to the
right-hand depository of the nondescript and imaginary velvet
double-breaster--we follow his eyes, till, with peculiar fascination, they
fix upon the far-off cornice of the most distant corner of the
smoke-embued apartment--we perceive the extension of the dexter hand
employed in innocent dalliance with the well-sucked peel of a quarter of
an orange, whilst the left is employed with the links of what would be a
watch-guard, _if_ the professional singer _had a watch_.
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