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Various

"The Atlantic Monthly, Volume 04, No. 25, November, 1859"

It is history,
poetry, and the beauty of Nature recreated by the grand master. An
entirely different phase of his character is seen in his Ariadne Asleep
surrounded by the Bacchanals. This is full of antique Grecian feeling;
and such a subtile, delicious piece of painting! Ariadne is in the
foreground, full of warm, breathing life, her arm thrown over her
lovely head, and her golden hair falling over the vase of gold and onyx
on which she rests; a river of red wine runs through the emerald grass;
two beautiful girls have just put by their music and instruments, and
one turns her exquisite face toward us to speak to the other reclining
on the grass. The one who turns to us is the beauty of the Louvre, or
some one very like her, in full Venetian loveliness. In her bosom are
one or two violets and a paper with _Titianus_ written on it. The bit
of music on the grass has Greek letters. Dancing figures are in the
middle of the picture. The fauns stagger under the dark trees, carrying
great sumptuous vases of agate and gold. Silenus is asleep on a sunny
hill at a distance, and the white sails of the ship with Theseus gleam
on the deep-blue sea. There is another called an Offering to Fecundity.
It is a crowd of most lovely baby boys, wonderfully painted, frolicking
on the green among flowers and fruits.


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