As soon as we get above this level, at all events, the
fostering of anticipation becomes a matter of the first importance. The
problem is, not to cut short the spectator's interest, or to leave it
fluttering at a loose end, but to provide it either with a
clearly-foreseen point in the next act towards which it can reach
onwards, or with a definite enigma, the solution of which is impatiently
awaited. In general terms, a bridge should be provided between one act
and another, along which the spectator's mind cannot but travel with
eager anticipation. And this is particularly important, or particularly
apt to be neglected, at the end of the first act. At a later point, if
the interest does not naturally and inevitably carry itself forward, the
case is hopeless indeed.
To illustrate what is meant by the carrying-forward of interest, let me
cite one or two instances in which it is achieved with conspicuous
success.
In Oscar Wilde's first modern comedy, _Lady Windermere's Fan_, the
heroine, Lady Windermere, has learnt that her husband has of late been
seen to call very frequently at the house of a certain Mrs.
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