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Archer, William, 1856-1924

"Play-Making A Manual of Craftsmanship"

[7]
As soon as the curtain rose, and revealed a screen drawn halfway down
the stage, with a sofa ensconced behind it, we knew what to expect. Of
course Mrs. Daventry was to lie on the sofa and overhear a duologue
between her husband and his mistress: the only puzzle was to understand
why the guilty pair should neglect the precaution of looking behind the
screen. As a matter of fact, Mrs. Daventry, before she lay down,
switched off the lights, and Daventry and Lady Langham, finding the room
dark, assumed it to be empty. With astounding foolhardiness, considering
that the house was full of guests, and this a much frequented public
room, Daventry proceeded to lock the door, and continue his conversation
with Lady Langham in the firelight. Thus, when the lady's husband came
knocking at the door, Mrs. Daventry was able to rescue the guilty pair
from an apparently hopeless predicament, by calmly switching on the
lights and opening the door to Sir John Langham. The situation was
undoubtedly a "strong" one; but the tendency of modern technic is to
hold "strength" too dearly purchased at such reckless expense of
preparation.


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