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Archer, William, 1856-1924

"Play-Making A Manual of Craftsmanship"

[2] One might even say six: for Oswald, in _Ghosts_, may live for
years; but I hold it as only fair to count the death of his mind as more
than equivalent to bodily death. Solness, on the plane of literal fact,
dies by an accident; on the plane of symbolic interpretation, he dies of
the over-great demands which Hilda makes upon his "sickly conscience."
Little Eyolf's death can also be regarded from a symbolic point of view;
but there is no substantial reason to think of it otherwise than as an
accident. John Gabriel Borkman dies of heart seizure, resulting from
sudden exposure to extreme cold. In the case of Solness and Borkman,
death is a quite natural and probable result of the antecedent
conditions; and in the case of Eyolf, it is not a way out of the action,
but rather the way into it. There remain the three cases of suicide:
Rebecca and Rosmer, Hedda Gabler, and Hedvig. I have already, in Chapter
XIX, shown how the death of Rebecca was the inevitable outcome of the
situation--the one conclusive proof of her "ennoblement"--and how it was
almost equally inevitable that Rosmer should accompany her to her end.


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