But though without dissent this point be fixed, how is mortal man to
account for it? To analyse it, would seem impossible. Can we,
then, by the citation of some of those instances wherein this thing
of whiteness--though for the time either wholly or in great part
stripped of all direct associations calculated to impart to it aught
fearful, but nevertheless, is found to exert over us the same
sorcery, however modified;--can we thus hope to light upon some
chance clue to conduct us to the hidden cause we seek?
Let us try. But in a matter like this, subtlety appeals to subtlety,
and without imagination no man can follow another into these halls.
And though, doubtless, some at least of the imaginative impressions
about to be presented may have been shared by most men, yet few
perhaps were entirely conscious of them at the time, and therefore
may not be able to recall them now.
Why to the man of untutored ideality, who happens to be but loosely
acquainted with the peculiar character of the day, does the bare
mention of Whitsuntide marshal in the fancy such long, dreary,
speechless processions of slow-pacing pilgrims, down-cast and hooded
with new-fallen snow? Or, to the unread, unsophisticated Protestant
of the Middle American States, why does the passing mention of a
White Friar or a White Nun, evoke such an eyeless statue in the soul?
Or what is there apart from the traditions of dungeoned warriors and
kings (which will not wholly account for it) that makes the White
Tower of London tell so much more strongly on the imagination of an
untravelled American, than those other storied structures, its
neighbors--the Byward Tower, or even the Bloody? And those sublimer
towers, the White Mountains of New Hampshire, whence, in peculiar
moods, comes that gigantic ghostliness over the soul at the bare
mention of that name, while the thought of Virginia's Blue Ridge is
full of a soft, dewy, distant dreaminess? Or why, irrespective of
all latitudes and longitudes, does the name of the White Sea exert
such a spectralness over the fancy, while that of the Yellow Sea
lulls us with mortal thoughts of long lacquered mild afternoons on
the waves, followed by the gaudiest and yet sleepiest of sunsets?
Or, to choose a wholly unsubstantial instance, purely addressed to
the fancy, why, in reading the old fairy tales of Central Europe,
does "the tall pale man" of the Hartz forests, whose changeless
pallor unrustlingly glides through the green of the groves--why is
this phantom more terrible than all the whooping imps of the
Blocksburg?
Nor is it, altogether, the remembrance of her cathedral-toppling
earthquakes; nor the stampedoes of her frantic seas; nor the
tearlessness of arid skies that never rain; nor the sight of her
wide field of leaning spires, wrenched cope-stones, and crosses all
adroop (like canted yards of anchored fleets); and her suburban
avenues of house-walls lying over upon each other, as a tossed pack
of cards;--it is not these things alone which make tearless Lima, the
strangest, saddest city thou can'st see.
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